Bringing your TV series or film idea to life starts with three key tools: the logline, synopsis, and treatment. Each serves a unique purpose, from hooking interest with a single sentence to mapping out the full story. But what’s the difference between them, and how do you write them effectively? Let’s break it down.

Our second-year students are currently working on their pitches, and as part of the class, they’ll also be writing a pilot for their own show idea. But how do you actually write a pilot, and what should you prepare for?

CME Content Academy, a course for training future television professionals, hosted one of the most prominent Czech comedy creators - Jan Prušinovský. The director and screenwriter, known for his bold and, according to many, conservative humor, introduced students to the creative process of his projects and shared valuable practical experiences.

The first day on set can be both exciting and stressful. To help you avoid embarrassment and missteps, we’ve prepared some basic unwritten rules to help you fit in with the team.