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When he was a kid, he would hover in front of the TV, convinced the whole thing could be run better. “I wanted to tell the people on screen where to go, when to move, and what to say,” Matěj František Preisler recalls today. He started by trying it at home, directing his own family at the dinner table, deciding who should sit where, and in what order, so it would “make dramatic sense.” The moment he learned directing could be…

In first year of school, she told her teacher she was going to be a production manager one day. Back then, her reasoning was simple “They just make phone calls and drink coffee.” Today, Barbora Hladíková knows exactly how much stress and responsibility hides behind that coffee. At twenty-four, she has five years at FAMU behind her, a long list of on-set experiences, and a strong appetite for new territory. Maybe that’s why she…

If he had followed the family tradition, his days would now revolve around crop plans and the condition of machinery in the yard. Stanislav Slovák comes from a village near Bruntál, where it was simply assumed he would one day take over the family farm. His parents, however, also encouraged him to find his own path first. That path led from grammar school to film directing in Zlín – and later to CME Content Academy in Prague.