During their time at CME Content Academy, students have learned various principles on how to craft a strong screenplay ..

The first-year students of CME Content Academy—Ondrej, Aneta, Adam, František, Veronika, Dominika, Nikita, and Sára—have successfully completed their final projects and showcased their skills at the Serial Killer festival.

In their first year at CME Content Academy, students learn all the essential theory needed for future careers in non-fiction TV. But it’s not just about classroom learning – the real test comes when they apply this knowledge in real-world settings. As part of the program, students are not only required to complete a mandatory internship, where they try out various production roles, but they are also given paid opportunities in…

Bringing your TV series or film idea to life starts with three key tools: the logline, synopsis, and treatment. Each serves a unique purpose, from hooking interest with a single sentence to mapping out the full story. But what’s the difference between them, and how do you write them effectively? Let’s break it down.

Our second-year students are currently working on their pitches, and as part of the class, they’ll also be writing a pilot for their own show idea. But how do you actually write a pilot, and what should you prepare for?

CME Content Academy, a course for training future television professionals, hosted one of the most prominent Czech comedy creators - Jan Prušinovský. The director and screenwriter, known for his bold and, according to many, conservative humor, introduced students to the creative process of his projects and shared valuable practical experiences.

The first day on set can be both exciting and stressful. To help you avoid embarrassment and missteps, we’ve prepared some basic unwritten rules to help you fit in with the team.

The CME Content Academy, renowned for nurturing the next generation of television creators and showrunners, recently welcomed a distinguished guest, director and producer Matěj Chlupáček. At just 30 years old, Chlupáček has already made a significant impact on the Czech film and television industry, co-founding the production company Barletta, which has been behind numerous successful television projects for major Czech…

During their studies, our students present two of their own projects: one focused on non-fiction and one from the world of fiction. They participate in many pitching sessions throughout the year, culminating in a major presentation. Here’s how to prepare for it.

Did you make it to the second round? Congratulations! You are one step closer to studying at CME Content Academy and achieving your dream career in television. Preparation is key to success, so here are some tips to help you impress the committee. The second round takes place in front of a panel made up of the

Are you excited about studying at CME Content Academy? You’re just one successful admissions process away from a future in television. A key requirement is an essay on your motivation to study. Be sure to mention your past work and academic achievements relevant to your future career. Next, you’ll need to conduct a critical analysis of a television series. Finally, perhaps the most challenging, you’ll develop your own…

Congratulations! You’ve made it to your first day on a TV set. Whether you’re starting as a runner or joining as a CME Content Academy intern, knowing how to survive, make a good impression, and avoid mistakes is essential. Here’s some valuable advice to help you get started.

CME Content Academy, a collaborative project by TV Nova and TV Markíza, offers a unique opportunity for aspiring television professionals. Hosted at the Television Institute, the program combines theoretical lectures with hands-on experience, aiming to equip the next generation with the skills necessary for a successful career in the television industry. Here’s what you can expect from the program.

At the Television Institute, a new generation of talented showrunners is emerging thanks to the unique educational program CME Content Academy. This program, designed for young talents and future creators of television content, focuses on both theoretical and practical skills necessary for success in the dynamic world of television production.

Admissions are currently open. Are you aspiring to a career in the television industry? You too can be part of Television!

Don't miss the chance to become part of this unique academy and take your creative skills to the next level at TV NOVA or TV MARKÍZA.

On May 13, we opened the admission proccess for additional students. Want to start your career in television?

The admission process for studying begins on May 13th and ends on June 11th. If you want to study television, CME Content Academy is the clear choice.

Alongside a workshop where they practiced working with actors and actresses, students of the CME Content Academy attended an intensive lecture by director Tereza Nvotová, who explained how to approach actors. "The instructions we give to actors must be as simple as possible. Over-psychologizing is a beginner's mistake," Nvotová advised the students.

The renowned actor, director, and screenwriter Jiří Mádl visited students at the CME Content Academy in Brno. He discussed the entire process of creating an audiovisual work, from the initial idea to the premiere, and advised students on how to properly interact with actors.

How to approach your producer, how to leverage support from those around you, and how to write a good series. Students received advice from Steve Matthews, who previously served as an executive producer at HBO Europe.

CME Content Academy students were visited by cameraman Martin Douba, known for his work on miniseries such as Iveta (1-3). He conducted an analysis of their visual style and recommended that they seek their own perspective on the artistic aspect of what they will create.

Creative producer of TV Nova Lenka Szántó visited students at the CME Content Academy. She spoke with them about the series Extractors, its conception, and also about how to successfully pitch their own concepts. Szántó also has screenwriting experience, due to working, for instance, on the series Metanol. The interview with her, which we released earlier this year,

Do you know what a "pitch" is? It's when you have to present and sell your idea, concept, project, product, strategy, or plan as convincingly as possible. You have limited time, a one-time opportunity, and usually you need to captivate a demanding audience. It's a decisive moment that can fundamentally shape your future. So, calm... you definitely are not. ?

CME Content Academy students had the privilege of meeting one of the most influential screenwriters in the Czech Republic and Slovakia, Miro Šifra, who lectured at CME CA on screenwriting for the second time.

A quarter of a year after the first-year students of the CME Content Academy defended their final projects, now seasoned "sophomores" presented completely new ideas last week in the amazing atmosphere of the cinema hall of the Television Institute in Brno. It was like shifting to a higher gear, but really swiftly?.

The students of the 2nd year are facing many crucial moments this year when they will persuade professionals at TV Nova and Markíza about the originality and viability of their project idea. Producers, who are inundated with piles of unread scripts from promising authors, each longing for a chance... these producers set the bar of quality very high. How to win them over and excite them about the idea the student has been…

On Wednesday, the CME Content Academy students were visited by another inspirational guest. This time it was director and screenwriter Adam Sedlák that made successful films such as Domestik and BANGER, and series Adikts and Semestr. 

Karolina Zalabáková, director, screenwriter, showrunner, producer, and author of the popular series Sex O'Clock on the Voyo platform, came to Brno to teach at the Television Institute.

On Wednesday, CME Content Academy students were visited by Barbora Dlabáčková, the head of communication and spokesperson of TV Nova. She showed them how to effectively promote future projects, how to prepare for media interviews or handle crisis situations.

Starting as a director of photography and now working as the creative producer of the Dunaj series, Peter Kelíšek visited students at the CME Content Academy on Thursday. He spoke about the role of a producer and the processes of decision-making. One of his tips for students was how to make if the audience feel the proper emotion: "If you can make yourself cry while working on it, it probably works." Kelíšek also uses his…

During a visit in Brno, CME Content Academy students heard Igor Draguzet speak at Television Institute. He emphasized the significant investment in creating content but highlighted the lack of creative force in its production. Draguzet praised the existence of specialized courses and the CME Content Academy student.

The CME Content Academy kicked off its second year focusing on scripted content. During the first month, thirteen students devoted themselves intensively to improving their skills in creating fictional content.

She came to Brno to see the exams of the CME Content Academy students. We talked with Lenka Szántó, the TV Nova creative producer at Hotel International in Brno. She presented the espionage series Extractors last fall, which is getting a phenomenal success on Voyo. "It is  among the top 3 Voyo Originals in all parameters we measure," says the producer. 

At the end of the first academic year, students have an important task: to present the show they have developed. Their performance is then discussed by a committee composed of CME, TV Nova a TV Markíza executives and creative producers. The second student group successfully pitched their projects last Thursday. The committee was happy with the outcomes.

The students of CME Content Academy are looking forward to Christmas, and many have figured out what they won't miss on the Voyo platform.

Click and watch the Christmas card video made by our students.

This summer, the advisory board conducted a three-stage admission process for the academy's study not just once, even twice. Who "was wanted"? The ideal candidate profile was clear: talented individuals with potential for television production, whether in development or production. In the end, a diverse group of students came together, and all of us are very curious about what will come of them . And who are the new colleagues…

​In the heart of the Czech Republic's second city, Brno, television and web series enthusiasts gathered for an exciting 6-day long festival. At the end of September, the city played host to a TV and web series festival Serial Killer..

"Bring an idea for an original non-fiction/reality & entertainment project that hasn't been done before. Detail it and come sell it to us." ..

The admission process for the 2023 course is already closed. The next opportunity to apply will be in spring 2024 and we are looking forward ..

❗️ A wild card for talents who want to assert in the TV world!..

Czech artist Natalie Kocábová Hoffmann opens up about her life and career to CME Content Academy students Natalie is a remarkable Czech artist who recently shared her inspiring life story and career journey with students at the CME Content Academy's masterclass. Her passion for writing and creativity began at a very young age, and she never stopped pursuing it.

When students at CME Content Academy speak of Tuwiah Neustadt, you can hear the awe, the respect, and even a little bit of their nervousness. “Tubi is my motivation, my inspiration,” said student Tereza Vlčeková. “He is everything I want to be.” “I felt challenged to give him better answers,” said Matěj Skop after he faced “difficult, thought-provoking” questions from Tubi during his application interview for the academy.…

In linear TV programming, everything can change in an instant because Nova is live and can react to any current events. And since it broadcasts 24 hours a day, the deadlines are uncompromising, there is no time to pause as viewers have to be entertained at all times. Silvia Majeská, Program Director of TV Nova and Markíza Groups, thrives under the pressure. The 38-year-old from Bratislava loves her job and loves the challenge…

Ask Matthias Settele what is behind his success as General Director of TV Markíza, and he’ll tell you those two things. Ask him what has made TV Markíza a powerhouse broadcaster in Slovakia and he’ll lead you right back there. Ask him how the broadcaster has produced such great content and greatly expanded their streaming: You’ll get the same answer. “You need passion to be successful in this business,” he explained, “and…

Europe is the Place for Filmmakers to Have Their Voices Heard, Says Berlinale's Artistic Director, Carlo Chatrian. The Berlin International Film Festival, also known as the Berlinale, is one of the largest film festivals in the world, attracting filmmakers, movie stars, and cinema enthusiasts from across the globe. This year marks the 73rd edition of the festival, and Carlo Chatrian, the festival's artistic director, has big…

If you could influence millions of people, what message would you send them? Klára Brachtlová knows exactly what she would say. As the former co-CEO of TV Nova, the largest broadcaster in the Czech Republic, she had a great deal of influence. Now, as the Chief of External Affairs for Nova’s parent company, CME, Klára is transitioning into a new role that will allow her to expand her message across all six countries…

Henrich Krejča is an old-school journalist – the kind who investigates the mafia, battles government corruption, and fights for the little guy. Every month this year, he plans to visit universities in Slovakia with one message for today’s youth: “Please, you MUST be interested in what’s happening in your country,” he said.

The first writers' room was established by Aaron Spelling in the 70s. for his series The Mod Squad, Charlie’s Angels, and The Love Boat. Since it became standard practice in American production, the concept is today adopted around the globe. For example, the first Star Wars movie was written by a small writing group led by George Lucas. Because two heads are better than one. That's why TV Nova established several writers' rooms…

The entertainment industry can be wasteful. Since climate change is a big topic around the globe, television and content makers are looking for green ways of production. It's natural for young people to adopt green filming strategies in their work from the beginning. That's why our CME CONTENT ACADEMY students had many practical workshops about Green filming concepts and the Albert certification.

CME Content Academy internship program has officially begun and will take place over the next three months..

Some of the most valuable lessons from Tarantino include the importance of being true to your characters and having a clear vision, having a personal connection to your story, and the importance of finding your own writing process and making films that you would personally want to see.

What can you learn during three months? With great teachers, more than you think. The students of CME Content Academy, who just finished their first trimester, can support that thesis. Since October they have had a chance to listen to great lecturers from the TV industry. What resonated with them the most?

You can't invent anything new. But you have to be innovative enough to blow the viewer away and not just repeat the old stuff.

Director and producer Radovan Síbrt visited the school for young talents CME Content Academy in December. He is currently producing the cooking reality show MasterChef for Nova. Its sixth series reached its finale before Christmas, and another is on the way. "To lead a show like MasterChef, one does not need to understand cooking," says Síbrt. According to him, looking for stories for the show is much more critical.

Sylvia Stevens is sick and tired of formulaic movies and TV shows. And don’t even get her started on algorithms. What does she want from broadcasters and filmmakers? Courage! This Texas-born producer and director – who’s been based in London for the last 40-plus years – wants more broadcasters to experiment, to open their minds to independent directors and to projects from around the world.

Trying to come up with a new idea for a show? Ben Gibson says to give it up. “There aren’t any original ideas,” according to Ben, who has run prestigious film schools for nearly 20 years. “Most people never start work because they’re looking for a good idea. But what’s important is to have a different idea every morning.”

Author: Matej Škop In the first month that the CME Content course has been running at the Academy, we, as its students, listened to dozens of speakers. Without wanting to toot our own horn, we agreed that the lectures from CME professionals were among the most interesting: whether it was head of content development Michal Reitler, who guided us through the process of developing a subject, or creative producer Erika Hníková,…

“I tried to organize chaos. How Scandinavian of me.” -- Björk Markus Sterky is definitely Scandinavian and he has spent decades wrestling the chaos, drama, and sheer madness of life into successful and well-organized television content. Markus Sterky is definitely Scandinavian and he has spent decades wrestling the chaos, drama, and sheer madness of life into successful and well-organized television content.

“If you’re average, you won’t be watched.” That pretty much sums up the philosophy of Ole Hedemann, the man who helped develop some of the best television content in Norway, and who now teaches it at Norway’s TV School.